My sister-in-law Janine (former opera singer, now real estate agent) says you can't expect a completely good season of anything, theatre or opera. It's an unreasonable expectation to expect a creative performance group to sustain it across a season. I'm hoping the next season of the Malthouse will prove her wrong. And I'm wondering whether a season is the theatrical equivalent of a publisher's list. What strike rate do you need to have a successful year as a publisher?
2006 has certainly been Michael Heyward and Text's year. Two Booker shortlists. The Weathermakers. Peter Temple, now a best-seller in the UK. The list goes on. Clever strategic quality publishing across the entire list - I saw in Borders the other night that text have republished the much praised "The Dig Tree" by Sarah Murgatroyd. Nice publishing and a perfect fit with Text.